Alan Dehmer
Unplugged

Opening Reception: Sunday, July 14, 2013    2-5pm

Exhibition dates: June 17 - September 30, 2013

Gallery hours: M-F 10-6, S 10-2
The Framer's Corner, 210 West Main St, Carrboro, NC 27510  919.929.3166

Artist Statement 

By nature I'm inclined to alchemy, whether mixing pigments with sensitizer in the photo lab and exposing prints to the sun, making plant tinctures, or preparing ghee in the kitchen. Mixing, stirring and altering matter. Creating something from something else. I don't think there's a higher purpose in life than to create.

My work is the result of engaging two related art forms. One is photography and the other is printmaking. Both are about image making and both involve time. A photograph represents a moment in time, a mere fraction of a second. In contrast, a finished gum bichromate print happens slowly, day after day, a layer at a time, until a week or a month or a year later -- you can’t ever be sure -- you say “That’s enough, it’s done now.”

I’m interested in the Japanese aesthetic called wabi-sabi. It’s a way of looking at the world that evolved from the Buddhist assertion of impermanence. Wabi sabi expresses itself in the simple, natural, ever-changing, decomposing world we live in. Fall leaves are an expression of wabi sabi. So is rust. Beauty in decay. Impermanence.

Water too, along with all the trappings -- shoreline, beach, piers, and boats attract my eye. But it is our interaction with the force of the deep, the dark, the mysterious that keeps my attention. Life beyond the one we’re able to see with our eyes. It draws me close, I think, like a moth to the flame, like a roll of film in the dark of a camera awaiting the push of the shutter button. Awaiting revelation.

The gum bichromate printing process offers a kind of value-added layer to the photograph. Expressive and alternative printmaking like gum printing takes as its starting point the original moment captured in time. But then, layer by layer, something new and decidedly different is born from the original camera image. To be sure, it bears the mark of that first photographic moment, but it also bears something more that cannot be explained solely by the multiple layers of pigment applied.

When it all works just right, the original photograph, the original moment in time, becomes layered not only in pigments but also in a new kind of time. One that seems to me to carry an archetypal quality, like something from an old memory or a dream one can’t quite remember.

The alchemists implore practitioners of the art to "do their work with true imagination, not a fanciful one." I think they mean to approach their work with clarity of mind and to carry always the sense of higher purpose that any act of creation deserves. For me, brushing sensitizer and pigment onto artist's paper and making images that hold truth and beauty is one way I manifest the energy of creation in my life.

Alan Dehmer: Palm

Palm

Alan Dehmer: Low Country

Low Country

Alan Dehmer: Bless Me Father

Bless Me Father